Crazy, Stupid, love.
In the opening two minutes of Crazy, stupid, love, it directly shows you who the main two characters will be and what relationship will be focused on throughout the film, because they are the first two people to be fully shown at the dinner table talking. It automatically shows us that they have problems of some kind because the shot shows directly that the woman is dressed up nicely for their dinner and the man has turned up in trainers and old looking clothes. It shows us that the woman isn’t that interested in him anymore when she says that she wants a divorce.
The genre is shown very well in the first two minutes because it goes through a range of different people having a romantic meal all dressed up; it shows the couples moving their feet closer together meaning that they are close and their relationship is strong and when it goes into the two main characters there feet are straight and the man isn’t dressed well yet the woman is. This shows the comedy side of it as well as the romantic side.
The music that is played when they show the range of different couples legs is very slow and romantic, it is a little bit like jazz music. This automatically makes us link it into a romantic film. As soon as the camera lands on the couple they want us to focus on the director’s drain the music out suddenly and focus on their boring conversation and the background noise. This makes us think that they have a boring relationship with no romance involved.
I think it is a good opening because it gets across that it is a romantic film and that it is a comedy from the way they processed it. It also shows who the two main characters are but doesn’t spoil what would happen throughout the film which would get the audience intrigued.
We find out from the opening
two minutes that there will be good relationships going on and bad ones. We
know this because they have show’s us directly the bad one and shows us enigmas
towards the good ones. Although it doesn’t show us many hints towards the rest
of the film at all.